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Last Day in Encinitas

This entry is part 8 of 11 in the series Coachella 09

touchosc1
So little time – here are my notes:

TouchOSC

Today I decided to have my four main opacity faders in VDMX controlled by TouchOSC running on my iPhone instead of on the NanoKontrol, leaving the Nano to be fully dedicated to clip triggering and fx.

Headliner Rehearsal

We revisited the pieces that we’ve prepared for our biggest act and had a great jam session. Looking forward to the real thing.

Four Acts added to our tent

We finally got the schedule for Coachella tonight (as it was released to the public) and noticed that we’ve lost one group from the Sahara tent and added four more. Whee!

Crunch Day

This entry is part 7 of 11 in the series Coachella 09

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Playing with Vade’s Glitch plugins.

Serious crunch time.

I spent most of the day flipping between Quartz Composer and VDMX, getting my new scenes loaded, tested and optimized. Verified that we can run MIDI-responsive Quartz Composer patches from within NuVJ (we have three of these stations) with the help of Kineme’s Safe MIDI patch. This patch is awesome – and I’m kicking myself now for forgetting about it when I did the GrandVJ presentation.

I’ve got so much to share, but I’m afraid that the nitty-gritty and new patch releases will have to wait until after Coachella.

Narrative VJ Performance on a Team

This entry is part 6 of 11 in the series Coachella 09

Coachella is feeling closer and closer – we’re packing up Tuesday morning (heading out Wednesday morning), and while we’ll have some further time to work on content, I can definitely feel its looming presence as a sort of general urgency in our work.

Today, we spent a lot of time making our custom content from yesterday work as a performance vehicle. It’s definitely coming together, we’ll be doing a jam on it tomorrow afternoon.

I mentioned yesterday that we had an interactive scene based on an album cover, and that has turned into a somewhat narrative piece. We’ve scripted out points, mostly in 10 minutes increments, and then jammed it out between the 4 VJs. I’ll have to wait until after Coachella to spell out things further, but I believe we gleaned enough insight for a decent VJ Kung Fu tutorial.

Until the veil of secrecy is lifted, this is all I can show you – it’s our practice camera setup, with mister bear tearing up the vinyl.

dj_da_bear

Team Content Creation

This entry is part 5 of 11 in the series Coachella 09

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Today we focused mostly on creating content for specific acts. One act, for example, provided album cover art, which I simulated in Quartz Composer as an interactive animation. Another group pointed us to YouTube to see what they’ve done for previous shows, and requested something within that vein. For this second group, we conjured up a little workflow for some original content:
zentai_unmasked1

  1. Brett dressed in what he calls his ‘Zentai’ suit, and Derth shot him dancing and posing in front of a white wall.
  2. VJ Aquine inverted the footage in Final Cut and did a little matting to clean things up, resulting in a white silhouette of Brett dancing on a black background.
  3. VJ Aquine then cut the clips into seamless loops – some by crossfade, others by ping-pong.
  4. Momo the Monster (yours truly) will today create a Quartz Composer patch that loads the content library and move the various characters onto and off the screen.

zentai-fullsceneIt’s really fantastic to work on a team that’s pitching in on a shared content pool like this – we are able to come up with a concept and turn it into a workable VJ system on a tight schedule without totall burning ourselves out. It’s definitely inspiring ideas for activities to do with NWAV.

First Full Jam and the Frys Trip

This entry is part 4 of 11 in the series Coachella 09

derth_and_brett

Derth and Brett testing camcorders

brett_at_frys Our preparations would surely be incomplete without a pilgrimage to that Mecca of disorganized electronics, flourescent lighting and obscene store design we all know as Fry’s. We picked up a Scan Converter, power strips, an extra 500GB external drive, a UPS, a cheap camcorder, lots of S-Video cables (6 and 12-foot), various Composite Video connectors, and probably a few cheap chinese-made electronics that we don’t need.

We’re going to be adding another member to our crew! Bryant Place aka Cyber Patrol Unit will join us out in Indio on Wednesday as a camera operator and generally tech-savvy VJ Crew Member. Welcome, Bryant!

We also had a quick stop at our local Musical Electronics Mega-Mart to pick up a Korg NanoKey for VJ Aquine’s setup, which now looks like this.vj_aquine_setup We listened to our library of Coachella 09 acts and jammed for a few hours, the first time we were all playing (previously, there was at least one person fussing with hardware at any given time). We had some happy accidents, but we’ve got a ways to go, still, learning to complement each other’s mix and feel the ebb and flow of how our powers combine.

The day was topped with a wonderful faux-BBQ dinner whipped up by Janet from Enlighted, who lives down the street. I was privileged to see some of her masterpieces in person. This Lighted Faux Fur Coat was especially impressive – the effect is hypnotic in person, I’m afraid this animated GIF doesn’t nearly do it justice. Perhaps she’ll let me back in to shoot a little video – she’s busy like we are, creating light-up outfits that will debut with an act at Coachella (hush-hush until it happens).

Coachella Prep Day Two – SSD Testing

This entry is part 3 of 11 in the series Coachella 09

brett_papersPaperwork!

We were planning on making this our first Jam Day, but Brett was sidetracked early on with a logistics problem – running a few hundred feet of SDI cable to the DL3 Projectors that will be rigged up by the lighting crew. A few hours, hundreds of lines of small print, an undisclosed sum of money and a few million burnt brain cells later, we’ve got it all sorted.

Meanwhile, I got to borrow one of the SSDs (Solid State Disk) that they’ve been prepping, and run some tests of my own.

SSD Testing

It feels like I’m always on the search for faster drives. I bought a 500GB external 7200RPM drive last year whose cases supported eSATA, which brought me a decent boost, although it did require buying an eSATA ExpressCard to be able to plug it into my MacBook Pro. When I heard that the Xochi folks had a couple of SSDs kicking around, my geek centers all lit up.

Extremely Unscientific Test Methods Resulting in a Fancy Graph

I used Disk Speed Bench X to run the tests. I quit all applications except for TextEdit and DiskSpeedBenchX, and the standard stuff I have running in the background – QuickSilver, Growl, Synergy, HardwareGrowler, probably some others. I ran the test about 10 times for each volume in order to get an average. My test system is a first-gen MacBook Pro Core Duo 2GHz with 2GB RAM, and a 100GB 7200rpm internal hard disk which is a little too full (about 5GB free).

The other drives tested are:

  • LaCie Rugged FW400/800/USB enclosure with a Hitachi 100GB 7200RPM 2.5″ drive inside
  • Cavalry CAXM37500 USB/eSATA enclosure with a Hitachi 500GB 7200RPM 3.5″ drive inside
  • Cavalry CAXM37500 USB/eSATA enclosure with an OCZ Vertex Series 120GB 2.5″ SSD inside

I just switched out the drive in my Cavalry case to try out the SSD – I’ll get a mini eSATA enclosure for my own SSD when it arrives. I used a Bytecc 2-Port eSATA ExpressCard to connect the enclosure to my laptop (which has a Silicon Image 3132 SATALink controller for you info-junkies out there).

Results!

hd-graph

The SSD blew the other drives away in these raw read tests. We’re talking 2.6 times faster than my my internal or the firewire, and twice as zippy as my fastest platter-based disk.

The downside is that SSD is still quite expensive – this 120GB I was testing with is $345 at NewEgg. For the moment, I’m getting a 30GB drive – it’s teeny by today’s standards, but that’s okay – I can simply load one show’s worth of clips onto it, and keep my big externals for storing the full content libraries, etc.

DISCLAIMER: I know very little about testing hard drives. My simplistic methods are probably terribly flawed and my data is probably useless. But damn it is impressive how the drive performed in this particular benchmark application.

That said, I ran another even less-scientific test where I loaded up my Incisor AV Remix patch with all the media on the SSD. I did NOT preload the clips, and yet it ran just as well as it usually does after I preload entire clips into RAM from my external drive. This is huge, because it means I’m no longer limited by the amount of RAM in my machine, but by an upgradeable external device. Also, VJ Aquine feels much better running her Quartz Composer mixer from an SSD because she cannot preload her clips, and is therefore accessing the drive constantly, which could wear down a traditional platter-based system right quick.

brett_cable_wrangling
As night fell, Brett continued wrangling cables in our Ghetto-Tech system and we did get to jam a bit. For this round, I stuck to vector-y foreground elements, with VJ Metamer mixing up the background, and running my foregrounds as a mask for various layers. I’m digging it.

Day One of Coachella Prep

This entry is part 2 of 11 in the series Coachella 09

I had my first full day here in Encinitas. First, allow me to introduce the Xochi Media crew:

There’s Brett Spivey, our Fearless Leader and Festival Liasion, VJ Aquine, another Quartz-Composer Evangelista whose brain I will certainly be picking over the next week, and VJ Metamer, our Software Engineer and Hard Drive Wrangler.

cam_and_momo_setup

Here’s a first look at some of the setup. On the left is the Master Camera Station, which takes in feeds from our four on-stage Security Cameras and two at-station handheld cameras (of slightly higher quality). These two handhelds are switched in manually with a clunk box. The brains of the system sit in a G5 Tower with four video capture cards, which runs a Quartz Composer patch that is stretched over two screens (the previews that you see above are on the left, the output is displayed on the right, which goes out to our video mixers).

On the right is the current layout for my station, running my Four-Layer VDMX Setup out to a V-4, which will then be piped through another mixer or two and then out to the screens.

brett_and_the_wall

Brett printed and mounted all the info we’ve got for each performer – what kind of music they play, whether they want visuals, what sort of art/video clips they’ve provided, if any, etc. It’s great to see it all laid out like this, now we can start zeroing in on where we’ve got the most work to do, content-wise.

waves_crashing

We ended the day with a walk out to the beach for the sunset. Best. Visuals. Ever.

VJing at Coachella 2009

This entry is part 1 of 11 in the series Coachella 09

I was just recently invited by Brett Spivey of Xochi Media to join their crew for Coachella this year! I had to skip out last year as I was packing up my life to move to Portland.

I’m heading down about two weeks ahead of time to learn their system, develop some new Quartz Composer scenes that will complement their styles, and – very important – practice performing together to the bands we’ll be playing with.

Here’s a little peek at what I’m bringing:

case-open

This is the same case that held an MPK49 for my GrandVJ demo in Detroit last year. This time it’s stuffed with a variety of VJ Equipment. The ubiquitous V-4, a Canon HF100 for documentation, my Monome 128 in a beautiful case made here in Portland by MapMap, a portable eSata drive, a 7″ LCD, my new Korg NanoKontrol (replacing the UC-33 in my VDMX setup), and a mesh bag with a bunch of cables, a small hard drive and my USB hub. My trusty MacBook Pro is packed separately (as a carry-on).

I’m really not sure what to expect, but I’m very excited about my 2-week study with the Xochi crew. More pictures and video to come as things develop.

case-closed