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Return to Portland

pear_blossoms

Finally got back home yesterday. Arrived to 70 degrees with a slight cool wind, and our backyard pear trees in full blossom – Portland is in its prime, folks.

Took a nice long nap and then went to see Adventureland at St. John’s Twin Cinemas. There’s another good example of a film whose trailer undersold it – the one I saw pushed the movie as a load of hot girls & slapstick, and that really doesn’t do it any sort of justice. It’s witty and sweet and yes, a little ridiculous. Also found Living Room Theaters – looks like a cool setup, will have to go to one of their $5 shows soon (maybe next week).

Jumping back into all my work projects today – will flesh out Coachella round-ups within the next few days, but my clients need some attention after the two-week break to prepare for the festival.

Coachella Day Two

This entry is part 11 of 11 in the series Coachella 09

Notes on Coachella Day Two from the perspective of a VJ in the Sahara tent, published via iPhone (pix and more to come later)

Finished gun-shooting dude (share Quartz Composer doc)

Smells Like Teen Spirit played by Zane Lowe at almost the same time as Felix Da Housecat (same tent, one day later)

TRV$DJ-AM – shot lots of footage (will upload once I’m back in Oregon).

Pix of Brett with silver tarp (VJing in direct sunlight)

Here’s a strange situation- I’m sitting in front of the controls for a beautiful concert video system, while the Chemical Brothers are playing. I’m surrounded by the rest of my VJ crew, who are ready at their stations. We’ve got a load of custom content that was built specifically to complement particular Chemical Bros. tracks.

And we have been instructed to leave the screens off. Sigh.

Note to eager MSTRKRFT fans – rhythmic clapping does not solve video cable issues.

The Festival Begins

This entry is part 10 of 11 in the series Coachella 09

No internet access for my Mac, so this is a short placeholder entry via my iPhone.

Did our prepared narrative set for Felix Da Housecat, but the screens are nigh-invisible during the day. We captured it to DVD, so I should be able to upload some snippets. Will definitely share the Quartz Composer file I created.

Girl Talk was crazy. His VJ, Andrew, ran 80′s-ish graphics, and Cyber Patrol Unit bravely joined the onstage crowd of moshing mashup maniacs to provide some excellent footage for our screens. Spivey flipped between cameras expertly, often mixing four at a time to keep up with GT’s pace.

We also did an all-camera show for The Presets, which was wonderful.

Steve Aoki was ridiculous and I didn’t care much for his music, but he sure as hell got the crowd moving.

I’m sure I’m forgetting things, but it’s almost 2am and we’ve got to sleep so we can get up at 8:30am and do it again!

First Day at Coachella

This entry is part 9 of 11 in the series Coachella 09

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We got up at 8:00am, out the door by 10:30. Arrived at the fairgrounds, got our passes, unloaded and set up equipment until just after Midnight. Then we went to the hotel and slept. Bryant arrived around 1:30am with Henry Strange and a van full of video cables for us.

Last Day in Encinitas

This entry is part 8 of 11 in the series Coachella 09

touchosc1
So little time – here are my notes:

TouchOSC

Today I decided to have my four main opacity faders in VDMX controlled by TouchOSC running on my iPhone instead of on the NanoKontrol, leaving the Nano to be fully dedicated to clip triggering and fx.

Headliner Rehearsal

We revisited the pieces that we’ve prepared for our biggest act and had a great jam session. Looking forward to the real thing.

Four Acts added to our tent

We finally got the schedule for Coachella tonight (as it was released to the public) and noticed that we’ve lost one group from the Sahara tent and added four more. Whee!

Crunch Day

This entry is part 7 of 11 in the series Coachella 09

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Playing with Vade’s Glitch plugins.

Serious crunch time.

I spent most of the day flipping between Quartz Composer and VDMX, getting my new scenes loaded, tested and optimized. Verified that we can run MIDI-responsive Quartz Composer patches from within NuVJ (we have three of these stations) with the help of Kineme’s Safe MIDI patch. This patch is awesome – and I’m kicking myself now for forgetting about it when I did the GrandVJ presentation.

I’ve got so much to share, but I’m afraid that the nitty-gritty and new patch releases will have to wait until after Coachella.

Narrative VJ Performance on a Team

This entry is part 6 of 11 in the series Coachella 09

Coachella is feeling closer and closer – we’re packing up Tuesday morning (heading out Wednesday morning), and while we’ll have some further time to work on content, I can definitely feel its looming presence as a sort of general urgency in our work.

Today, we spent a lot of time making our custom content from yesterday work as a performance vehicle. It’s definitely coming together, we’ll be doing a jam on it tomorrow afternoon.

I mentioned yesterday that we had an interactive scene based on an album cover, and that has turned into a somewhat narrative piece. We’ve scripted out points, mostly in 10 minutes increments, and then jammed it out between the 4 VJs. I’ll have to wait until after Coachella to spell out things further, but I believe we gleaned enough insight for a decent VJ Kung Fu tutorial.

Until the veil of secrecy is lifted, this is all I can show you – it’s our practice camera setup, with mister bear tearing up the vinyl.

dj_da_bear

Team Content Creation

This entry is part 5 of 11 in the series Coachella 09

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Today we focused mostly on creating content for specific acts. One act, for example, provided album cover art, which I simulated in Quartz Composer as an interactive animation. Another group pointed us to YouTube to see what they’ve done for previous shows, and requested something within that vein. For this second group, we conjured up a little workflow for some original content:
zentai_unmasked1

  1. Brett dressed in what he calls his ‘Zentai’ suit, and Derth shot him dancing and posing in front of a white wall.
  2. VJ Aquine inverted the footage in Final Cut and did a little matting to clean things up, resulting in a white silhouette of Brett dancing on a black background.
  3. VJ Aquine then cut the clips into seamless loops – some by crossfade, others by ping-pong.
  4. Momo the Monster (yours truly) will today create a Quartz Composer patch that loads the content library and move the various characters onto and off the screen.

zentai-fullsceneIt’s really fantastic to work on a team that’s pitching in on a shared content pool like this – we are able to come up with a concept and turn it into a workable VJ system on a tight schedule without totall burning ourselves out. It’s definitely inspiring ideas for activities to do with NWAV.

First Full Jam and the Frys Trip

This entry is part 4 of 11 in the series Coachella 09

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Derth and Brett testing camcorders

brett_at_frys Our preparations would surely be incomplete without a pilgrimage to that Mecca of disorganized electronics, flourescent lighting and obscene store design we all know as Fry’s. We picked up a Scan Converter, power strips, an extra 500GB external drive, a UPS, a cheap camcorder, lots of S-Video cables (6 and 12-foot), various Composite Video connectors, and probably a few cheap chinese-made electronics that we don’t need.

We’re going to be adding another member to our crew! Bryant Place aka Cyber Patrol Unit will join us out in Indio on Wednesday as a camera operator and generally tech-savvy VJ Crew Member. Welcome, Bryant!

We also had a quick stop at our local Musical Electronics Mega-Mart to pick up a Korg NanoKey for VJ Aquine’s setup, which now looks like this.vj_aquine_setup We listened to our library of Coachella 09 acts and jammed for a few hours, the first time we were all playing (previously, there was at least one person fussing with hardware at any given time). We had some happy accidents, but we’ve got a ways to go, still, learning to complement each other’s mix and feel the ebb and flow of how our powers combine.

The day was topped with a wonderful faux-BBQ dinner whipped up by Janet from Enlighted, who lives down the street. I was privileged to see some of her masterpieces in person. This Lighted Faux Fur Coat was especially impressive – the effect is hypnotic in person, I’m afraid this animated GIF doesn’t nearly do it justice. Perhaps she’ll let me back in to shoot a little video – she’s busy like we are, creating light-up outfits that will debut with an act at Coachella (hush-hush until it happens).

Coachella Prep Day Two – SSD Testing

This entry is part 3 of 11 in the series Coachella 09

brett_papersPaperwork!

We were planning on making this our first Jam Day, but Brett was sidetracked early on with a logistics problem – running a few hundred feet of SDI cable to the DL3 Projectors that will be rigged up by the lighting crew. A few hours, hundreds of lines of small print, an undisclosed sum of money and a few million burnt brain cells later, we’ve got it all sorted.

Meanwhile, I got to borrow one of the SSDs (Solid State Disk) that they’ve been prepping, and run some tests of my own.

SSD Testing

It feels like I’m always on the search for faster drives. I bought a 500GB external 7200RPM drive last year whose cases supported eSATA, which brought me a decent boost, although it did require buying an eSATA ExpressCard to be able to plug it into my MacBook Pro. When I heard that the Xochi folks had a couple of SSDs kicking around, my geek centers all lit up.

Extremely Unscientific Test Methods Resulting in a Fancy Graph

I used Disk Speed Bench X to run the tests. I quit all applications except for TextEdit and DiskSpeedBenchX, and the standard stuff I have running in the background – QuickSilver, Growl, Synergy, HardwareGrowler, probably some others. I ran the test about 10 times for each volume in order to get an average. My test system is a first-gen MacBook Pro Core Duo 2GHz with 2GB RAM, and a 100GB 7200rpm internal hard disk which is a little too full (about 5GB free).

The other drives tested are:

  • LaCie Rugged FW400/800/USB enclosure with a Hitachi 100GB 7200RPM 2.5″ drive inside
  • Cavalry CAXM37500 USB/eSATA enclosure with a Hitachi 500GB 7200RPM 3.5″ drive inside
  • Cavalry CAXM37500 USB/eSATA enclosure with an OCZ Vertex Series 120GB 2.5″ SSD inside

I just switched out the drive in my Cavalry case to try out the SSD – I’ll get a mini eSATA enclosure for my own SSD when it arrives. I used a Bytecc 2-Port eSATA ExpressCard to connect the enclosure to my laptop (which has a Silicon Image 3132 SATALink controller for you info-junkies out there).

Results!

hd-graph

The SSD blew the other drives away in these raw read tests. We’re talking 2.6 times faster than my my internal or the firewire, and twice as zippy as my fastest platter-based disk.

The downside is that SSD is still quite expensive – this 120GB I was testing with is $345 at NewEgg. For the moment, I’m getting a 30GB drive – it’s teeny by today’s standards, but that’s okay – I can simply load one show’s worth of clips onto it, and keep my big externals for storing the full content libraries, etc.

DISCLAIMER: I know very little about testing hard drives. My simplistic methods are probably terribly flawed and my data is probably useless. But damn it is impressive how the drive performed in this particular benchmark application.

That said, I ran another even less-scientific test where I loaded up my Incisor AV Remix patch with all the media on the SSD. I did NOT preload the clips, and yet it ran just as well as it usually does after I preload entire clips into RAM from my external drive. This is huge, because it means I’m no longer limited by the amount of RAM in my machine, but by an upgradeable external device. Also, VJ Aquine feels much better running her Quartz Composer mixer from an SSD because she cannot preload her clips, and is therefore accessing the drive constantly, which could wear down a traditional platter-based system right quick.

brett_cable_wrangling
As night fell, Brett continued wrangling cables in our Ghetto-Tech system and we did get to jam a bit. For this round, I stuck to vector-y foreground elements, with VJ Metamer mixing up the background, and running my foregrounds as a mask for various layers. I’m digging it.